00 Hypercube Mono

Thin Thin Italic Light Light Italic Regular Italic Medium Medium Italic Bold Bold Italic Black Black Italic
Size
Autem mortes
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Tap the Admiral
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Swatchel-cove
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Square rigged
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Guinea pigs
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Fakement Charley
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Ducks and Drakes
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Dirty Half-hundred
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Dacha-saltee
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Connaught Rangers
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Bum-Curtain
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High Church
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Mon coeur est un violon
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Sur lequel ton archet joue
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Et qui vibre tout du long
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Appuyé contre ta joue
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Tantôt l’air est vif et gai
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Comme un refrain de folie
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Tantôt le sont fatigué
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Traîne avec mélancolie
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Dans la nuit qui s’achève mon coeur est plein de toi
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La musique est un rêve qui vibre sous tes doigts
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Sous tes doigts la caresse rend mon désir si fort
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If thou shouldst live three thousand, or as many as ten thousands of years, yet remember this, that man can part with no life properly, save with that little part of life, which he now lives: and that which he lives, is no other, than that which at every instant he parts with. That then which is longest of duration, and that which is shortest, come both to one effect. For although in regard of that which is already past there may be some inequality, yet that time which is now present and in being, is equal unto all men. And that being it which we part with whensoever we die, it doth manifestly appear, that it can be but a moment of time, that we then part with. For as for that which is either past or to come, a man cannot be said properly to part with it. For how should a man part with that which he hath not? These two things therefore thou must remember. First, that all things in the world from all eternity, by a perpetual revolution of the same times and things ever continued and renewed, are of one kind and nature; so that whether for a hundred or two hundred years only, or for an infinite space of time, a man see those things which are still the same, it can be no matter of great moment. And secondly, that that life which any the longest liver, or the shortest liver parts with, is for length and duration the very same, for that only which is present, is that, which either of them can lose, as being that only which they have; for that which he hath not, no man can truly be said to lose.
Size
Qu’il va même jusque à l’ivresse et meurt à la fin de l’accord
Size
Try also how a good man’s life; (of one, who is well pleased with those things whatsoever, which among the common changes and chances of this world fall to his own lot and share; and can live well contented and fully satisfied in the justice of his own proper present action, and in the goodness of his disposition for the future:) will agree with thee. Thou hast had experience of that other kind of life: make now trial of this also. Trouble not thyself any more henceforth, reduce thyself unto perfect simplicity. Doth any man offend? It is against himself that he doth offend: why should it trouble thee? Hath anything happened unto thee? It is well, whatsoever it be, it is that which of all the common chances of the world from the very beginning in the series of all other things that have, or shall happen, was destinated and appointed unto thee. To comprehend all in a few words, our life is short; we must endeavour to gain the present time with best discretion and justice. Use recreation with sobriety.
Size
A hard inexorable disposition, a wild inhuman disposition, a sheepish disposition, a childish disposition; a blockish, a false, a scurril, a fraudulent, a tyrannical: what then?
About 00 Hypercube Collection

Hypercube is the quintessential sans-serif typeface. It draws inspiration from mid-century Swiss modernism, as well as the default office aesthetics of the late '90s and early 2000s, along with much-loved/hated typefaces like Helvetica or Arial.

Starting from a very clean and somewhat bland foundation, it gradually evolves into more distinctive and expressive styles as the family expands into display, monospaced, and black weights—or even all of the above!

This typeface collection offers a vast palette for graphic designers, ranging from highly legible, trustworthy, and almost bland to unique, experimental, and highly recognizable.

About 00 Hypercube Mono

00 Hypercube Mono is the monospaced counterpart to 00 Hypercube. This means that every character in the font occupies the same width. With its roots in typewriters and early computer systems, monospaced fonts offer a great alternative to proportional fonts.
Their unique aesthetic can effectively set a piece of text apart from the body copy.
Character map
Font styleUnicode decimal13Unicode hex000dHTML entity
Basic Latin
!
"
#
$
%
&
'
(
)
*
+
,
-
.
/
0
1
2
3
4
5
6
7
8
9
:
;
<
=
>
?
@
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
[
\
]
^
_
`
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
{
|
}
~
Latin-1 Supplement
 
¡
¢
£
¤
¥
§
¨
©
ª
«
¬
®
¯
°
±
²
³
´
µ
·
¸
¹
º
»
¼
½
¾
¿
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ð
Ñ
Ò
Ó
Ô
Õ
Ö
×
Ø
Ù
Ú
Û
Ü
Ý
Þ
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ð
ñ
ò
ó
ô
õ
ö
÷
ø
ù
ú
û
ü
ý
þ
ÿ
Latin Extended-A
Ā
ā
Ă
ă
Ą
ą
Ć
ć
Ċ
ċ
Č
č
Ď
ď
Đ
đ
Ē
ē
Ė
ė
Ę
ę
Ě
ě
Ğ
ğ
Ġ
ġ
Ģ
ģ
Ħ
ħ
Ī
ī
Į
į
İ
ı
IJ
ij
Ķ
ķ
Ĺ
ĺ
Ļ
ļ
Ľ
ľ
Ł
ł
Ń
ń
Ņ
ņ
Ň
ň
Ō
ō
Ő
ő
Œ
œ
Ŕ
ŕ
Ŗ
ŗ
Ř
ř
Ś
ś
Ş
ş
Š
š
Ţ
ţ
Ť
ť
Ū
ū
Ů
ů
Ű
ű
Ų
ų
Ŵ
ŵ
Ŷ
ŷ
Ÿ
Ź
ź
Ż
ż
Ž
ž
Latin Extended-B
Ə
ƒ
Ș
ș
Ț
ț
ȷ
IPA Extensions
ə
Spacing Modifier Letters
ˆ
ˇ
ˉ
˘
˙
˚
˛
˜
˝
Combining Diacritical Marks
̀
́
̂
̃
̄
̆
̇
̈
̊
̋
̌
̒
̦
̧
̨
̵
̶
̷
̸
Greek and Coptic
·
Latin Extended Additional
General Punctuation
Superscripts and Subscripts
Currency Symbols
Letterlike Symbols
Number Forms
Arrows
Mathematical Operators
Enclosed Alphanumerics
Geometric Shapes
Miscellaneous Symbols
Dingbats
Alphabetic Presentation Forms
OpenType features
OFF
̵
ON
̵
Font styleUnicode decimal821Unicode hex0335OpenType featurecaseHTML entities&#x335;
Case-Sensitive Forms
̵
̷
̸
Glyph Composition / Decomposition
Denominators
0
1
2
3
4
5
6
7
8
9
Fractions
/
0
1
2
3
4
5
6
7
8
9
Standard Ligatures
fi
fl
Numerators
0
1
2
3
4
5
6
7
8
9
Oldstyle Figures
0
1
2
3
4
5
6
7
8
9
Scientific Inferiors
0
1
2
3
4
5
6
7
8
9
Monospace axis alternates
I
IJ
Í
Î
Ï
İ
Ì
Ī
Į
J
M
Q
W
Ŵ
f
i
ı
í
î
ï
ì
ī
į
ij
j
ȷ
l
ĺ
ľ
ļ
ł
r
ŕ
ř
ŗ
w
ŵ
0
1
@
&
Optical size axis alternates
K
Ķ
Q
k
ķ
&
Weight axis alternates
M
W
Ŵ
w
ŵ
Italic axis alternates
a
á
ă
â
ä
à
ā
ą
å
ã
l
ĺ
ľ
ļ
ł
Different a
a
á
ă
â
ä
à
ā
ą
å
ã
Subscript
0
1
2
3
4
5
6
7
8
9
Superscript
0
1
2
3
4
5
6
7
8
9
Tabular Figures
0
1
2
3
4
5
6
7
8
9