00 Eckmania

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Fambling chete
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Patricos kinchen
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Chuck a Jolly
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Seven-sided animal
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Multee kertever
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Lobster-box
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LULLABY OF BIRDLAND, THAT’S WHAT I
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ALWAYS HEAR WHEN YOU SIGH
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NEVER IN MY WORDLAND
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COULD THERE BE WAYS TO REVEAL
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IN A PHRASE HOW I FEEL
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HAVE YOU EVER HEARD TWO TURTLE DOVES
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Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation.
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From my brother Severus, to be kind and loving to all them of my house and family; by whom also I came to the knowledge of Thrasea and Helvidius, and Cato, and Dio, and Brutus. He it was also that did put me in the first conceit and desire of an equal commonwealth, administered by justice and equality; and of a kingdom wherein should be regarded nothing more than the good and welfare of the subjects. Of him also, to observe a constant tenor, (not interrupted, with any other cares and distractions,) in the study and esteem of philosophy: to be bountiful and liberal in the largest measure; always to hope the best; and to be confident that my friends love me. In whom I moreover observed open dealing towards those whom he reproved at any time, and that his friends might without all doubt or much observation know what he would, or would not, so open and plain was he.
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ALICE was beginning to get very tired of sitting by her sister on the bank, and of having nothing to do: once or twice she had peeped into the book her sister was reading, but it had no pictures or conversations in it, “and what is the use of a book,” thought Alice, “without pictures or conversations?”
About 00 Eckmania

00 Eckmania is a digital interpretation of "Eckmannschrift", a 1900 typeface designed by Otto Eckmann (punches cut by Louis Hoell) and published at the Rudhardsche foundry (under the supervision of Karl Klingspor).
Although there are many digitisations, there was still a missing revival, faithful to the original yet redesigned and adapted to contemporary aesthetics and uses. Until now!
Instead of focusing on a single source, 00 Eckmania encapsulates a whole variety of tones of voices through its optical size axis.
The small size extreme can actually hold surprisingly well at text sizes and withstand relatively long pieces of text; while the display cuts show their full potential of expressiveness and flourishes.
The terminals seemingly morph from serif-like shapes to pen brush strokes creating a wide array of styles.
Two more axes to go? Unpublished drawings from Otto Eckmann for "Eckmann-Kursiv" and "Eckmann Initialen" could be very interesting historical sources to to draw inspiration from for potential Italic and Monospace axes. So this is only the first chapter!

Read more about 00 Eckmania here
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