00 Hypertext Mono Display

Thin Thin Italic Light Light Italic Regular Italic Medium Medium Italic Bold Bold Italic Black Black Italic
Size
London ordinary
Size
Keep a pig
Size
Irish American
Size
Jemmy Jessamy
Size
How-came-you-so?
Size
Gray-coat parson
Size
Go due north
Size
Dog in a blanket
Size
Cribbage-faced
Size
Cant of Togs
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Mouldy-grubs
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Devil-may-care
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Paraît qu’j’suis l’avenir comme le monde des cryptos
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Revanchard comme le Comte de Monte-Cristo, igo
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J’aime quand ma go me montre ses seins et
Size
Quand l’grower me montre ses cristaux (han)
Size
Y a certaines valeurs qu’on méprise tôt, han, han
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C’est tellement doux dans sa tte-cha,
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C’était chaud de pas s’attacher (shoo)
Size
Mais j’dois chercher mes Satoshi, impossible qu’elle m’fasse du tort
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J’veux la villa, vue sur la mer comme au terrasse du port
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S’ils obéissent à des ordres inhumains,
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Faut qu’on terrasse du porc, han, han, han
Size
Dans l’osmoseur, dans l’vortex
Size
The time of a man’s life is as a point; the substance of it ever flowing, the sense obscure; and the whole composition of the body tending to corruption. His soul is restless, fortune uncertain, and fame doubtful; to be brief, as a stream so are all things belonging to the body; as a dream, or as a smoke, so are all that belong unto the soul. Our life is a warfare, and a mere pilgrimage. Fame after life is no better than oblivion. What is it then that will adhere and follow? Only one thing, philosophy. And philosophy doth consist in this, for a man to preserve that spirit which is within him, from all manner of contumelies and injuries, and above all pains or pleasures; never to do anything either rashly, or feignedly, or hypocritically: wholly to depend from himself and his own proper actions: all things that happen unto him to embrace contentedly, as coming from Him from whom he himself also came; and above all things, with all meekness and a calm cheerfulness, to expect death, as being nothing else but the resolution of those elements, of which every creature is composed.
Size
And if the elements themselves suffer nothing by this their perpetual conversion of one into another, that dissolution, and alteration, which is so common unto all, why should it be feared by any? Is not this according to nature?
Size
But nothing that is according to nature can be evil.
About 00 Hypertext Collection

Hypertext is the quintessential sans-serif typeface. It draws inspiration from mid-century Swiss modernism, as well as the default office aesthetics of the late '90s and early 2000s, along with much-loved/hated typefaces like Helvetica or Arial.

Starting from a very clean and somewhat bland foundation, it gradually evolves into more distinctive and expressive styles as the family expands into display, monospaced, and black weights—or even all of the above!

This typeface collection offers a vast palette for graphic designers, ranging from highly legible, trustworthy, and almost bland to unique, experimental, and highly recognizable.

About 00 Hypertext Mono Display

"Display" and "Mono" are rarely seen together. All the letters have the same width, but due to their display nature, they fill every inch of their "cages," desperately trying to break free.

This typographic monster is a powerful toolbox that can create striking words or sentences.
Character map
Font styleUnicode decimal13Unicode hex000dHTML entity
Basic Latin
!
"
#
$
%
&
'
(
)
*
+
,
-
.
/
0
1
2
3
4
5
6
7
8
9
:
;
<
=
>
?
@
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
[
\
]
^
_
`
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
{
|
}
~
Latin-1 Supplement
 
¡
¢
£
¤
¥
§
¨
©
ª
«
¬
®
¯
°
±
²
³
´
µ
·
¸
¹
º
»
¼
½
¾
¿
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ð
Ñ
Ò
Ó
Ô
Õ
Ö
×
Ø
Ù
Ú
Û
Ü
Ý
Þ
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ð
ñ
ò
ó
ô
õ
ö
÷
ø
ù
ú
û
ü
ý
þ
ÿ
Latin Extended-A
Ā
ā
Ă
ă
Ą
ą
Ć
ć
Ċ
ċ
Č
č
Ď
ď
Đ
đ
Ē
ē
Ė
ė
Ę
ę
Ě
ě
Ğ
ğ
Ġ
ġ
Ģ
ģ
Ħ
ħ
Ī
ī
Į
į
İ
ı
IJ
ij
Ķ
ķ
Ĺ
ĺ
Ļ
ļ
Ľ
ľ
Ł
ł
Ń
ń
Ņ
ņ
Ň
ň
Ō
ō
Ő
ő
Œ
œ
Ŕ
ŕ
Ŗ
ŗ
Ř
ř
Ś
ś
Ş
ş
Š
š
Ţ
ţ
Ť
ť
Ū
ū
Ů
ů
Ű
ű
Ų
ų
Ŵ
ŵ
Ŷ
ŷ
Ÿ
Ź
ź
Ż
ż
Ž
ž
Latin Extended-B
Ə
ƒ
Ș
ș
Ț
ț
ȷ
IPA Extensions
ə
Spacing Modifier Letters
ˆ
ˇ
ˉ
˘
˙
˚
˛
˜
˝
Combining Diacritical Marks
̀
́
̂
̃
̄
̆
̇
̈
̊
̋
̌
̒
̦
̧
̨
̵
̶
̷
̸
Greek and Coptic
·
Latin Extended Additional
General Punctuation
Superscripts and Subscripts
Currency Symbols
Letterlike Symbols
Number Forms
Arrows
Mathematical Operators
Enclosed Alphanumerics
Geometric Shapes
Miscellaneous Symbols
Dingbats
Alphabetic Presentation Forms
OpenType features
OFF
̵
ON
̵
Font styleUnicode decimal821Unicode hex0335OpenType featurecaseHTML entities&#x335;
Case-Sensitive Forms
̵
̷
̸
Denominators
0
1
2
3
4
5
6
7
8
9
Fractions
/
0
1
2
3
4
5
6
7
8
9
Standard Ligatures
fi
fl
Numerators
0
1
2
3
4
5
6
7
8
9
Oldstyle Figures
0
1
2
3
4
5
6
7
8
9
Scientific Inferiors
0
1
2
3
4
5
6
7
8
9
Monospace axis alternates
I
IJ
Í
Î
Ï
İ
Ì
Ī
Į
J
M
Q
W
Ŵ
f
i
ı
í
î
ï
ì
ī
į
ij
j
ȷ
l
ĺ
ľ
ļ
ł
r
ŕ
ř
ŗ
w
ŵ
0
1
@
&
Optical size axis alternates
K
Ķ
Q
k
ķ
&
Weight axis alternates
M
W
Ŵ
w
ŵ
Italic axis alternates
a
á
ă
â
ä
à
ā
ą
å
ã
l
ĺ
ľ
ļ
ł
Different a
a
á
ă
â
ä
à
ā
ą
å
ã
Subscript
0
1
2
3
4
5
6
7
8
9
Superscript
0
1
2
3
4
5
6
7
8
9
Tabular Figures
0
1
2
3
4
5
6
7
8
9